Video is the technology of electronically capturing, recording, processing, storing, transmitting, and reconstructing a sequence of still images representing scenes in motion.

History

Video technology was first developed for cathode ray tube (CRT) television systems, but several new technologies for video display devices have since been invented. Charles Ginsburg led an Ampex research team developing the first practical video tape recorder (VTR). In 1951 the first video tape recorder captured live images from television cameras by converting the camera's electrical impulses and saving the information onto magnetic video tape. This tape was sold for around $50,000 in 1956. Sony began selling videocassette recorder (VCR) tapes to the public in 1971. Later advances in computer technology have allowed computers to capture, store, edit and transmit video clips. After the invention of the DVD in 1997 and Blu-ray Disc in 2006, sales of video tape and tape equipment plummeted.

Description of video

[[Image:PAL-NTSC-SECAM.svg|thumb|300px|Analog video standards worldwide ]] The term ''video'' ("video" meaning "I see", from the Latin verb "videre") commonly refers to several storage formats for moving pictures: digital video formats, including Blu-ray Disc, DVD, QuickTime (QT), and MPEG-4; and analog videotapes, including VHS and Betamax. Video can be recorded and transmitted in various physical media: in magnetic tape when recorded as PAL or NTSC electric signals by video cameras, or in MPEG-4 or DV digital media when recorded by digital cameras. Quality of video essentially depends on the capturing method and storage used. Digital television ''(DTV)'' is a relatively recent format with higher quality than earlier television formats and has become a standard for television video. ''(See List of digital television deployments by country.)''

''3D-video'', digital video in three dimensions, premiered at the end of 20th century. Six or eight cameras with realtime depth measurement are typically used to capture ''3D-video'' streams. The format of ''3D-video'' is fixed in MPEG-4 Part 16 Animation Framework eXtension (AFX).

In many countries, the term ''video'' is often used informally to refer to both Videocassette recorders and video cassettes; the meaning is normally clear from the context.

Characteristics of video streams

Number of frames per second

''Frame rate'', the number of still pictures per unit of time of video, ranges from six or eight frames per second (''frame/s'') for old mechanical cameras to 120 or more frames per second for new professional cameras. PAL (Europe, Asia, Australia, etc.) and SECAM (France, Russia, parts of Africa etc.) standards specify 25 frame/s, while NTSC (USA, Canada, Japan, etc.) specifies 29.97 frame/s. Film is shot at the slower frame rate of 24photograms/s, which complicates slightly the process of transferring a cinematic motion picture to video. The minimum frame rate to achieve the illusion of a moving image is about fifteen frames per second.

Interlacing

Video can be interlaced or progressive. Interlacing was invented as a way to achieve good visual quality within the limitations of a narrow bandwidth. The ''horizontal scan lines'' of each interlaced frame are numbered consecutively and partitioned into two ''fields'': the ''odd field'' (upper field) consisting of the odd-numbered lines and the ''even field'' (lower field) consisting of the even-numbered lines. NTSC, PAL and SECAM are interlaced formats. Abbreviated video resolution specifications often include an ''i'' to indicate interlacing. For example, PAL video format is often specified as ''576i50'', where ''576'' indicates the vertical line resolution, ''i'' indicates interlacing, and ''50'' indicates 50 fields (half-frames) per second.

In ''progressive scan'' systems, each refresh period updates all of the scan lines. The result is a higher spatial resolution and a lack of various artifacts that can make parts of a stationary picture appear to be moving or flashing.

A procedure known as deinterlacing can be used for converting an interlaced stream, such as analog, DVD, or satellite, to be processed by progressive scan devices, such as Liquid crystal display television TFT LCD Television sets, projectors, and plasma panels. Deinterlacing cannot, however, produce a video quality that is equivalent to true progressive scan source material.

Display resolution

The size of a video image is measured in pixels for digital video, or horizontal scan lines and vertical lines of resolution for analog video. In the digital domain (e.g. DVD) standard-definition television (SDTV) is specified as ''720/704/640×480i60'' for NTSC and ''768/720×576i50'' for PAL or SECAM resolution. However in the analog domain, the number of visible scanlines remains constant (486 NTSC/576 PAL) while the horizontal measurement varies with the quality of the signal: approximately 320 pixels per scanline for VCR quality, 400 pixels for TV broadcasts, and 720 pixels for DVD sources. Aspect ratio is preserved because of non-square "pixels".

New high-definition televisions (HDTV) are capable of resolutions up to ''1920×1080p60'', i.e. 1920 pixels per scan line by 1080 scan lines, progressive, at 60 frames per second.

Video resolution for 3D-video is measured in voxels (''volume picture element'', representing a value in three dimensional space). For example 512×512×512 voxels resolution, now used for simple 3D-video, can be displayed even on some PDAs.

Aspect ratio

Aspect ratio describes the dimensions of video screens and video picture elements. All popular video formats are rectilinear, and so can be described by a ratio between width and height. The screen aspect ratio of a traditional television screen is 4:3, or about 1.33:1. High definition televisions use an aspect ratio of 16:9, or about 1.78:1. The aspect ratio of a full 35 mm film frame with soundtrack (also known as the Academy ratio) is 1.375:1.

Ratios where the height is taller than the width are uncommon in general everyday use, but do have application in computer systems where the screen may be better suited for a vertical layout. The most common tall aspect ratio of 3:4 is referred to as ''portrait mode'' and is created by physically rotating the display device 90 degrees from the normal position. Other tall aspect ratios such as 9:16 are technically possible but rarely used. (For a more detailed discussion of this topic please refer to the page orientation article.)

Pixels on computer monitors are usually square, but pixels used in digital video often have non-square aspect ratios, such as those used in the PAL and NTSC variants of the CCIR 601 digital video standard, and the corresponding anamorphic widescreen formats. Therefore, an NTSC DV image which is 720 pixels by 480 pixels is displayed with the aspect ratio of 4:3 (which is the traditional television standard) if the pixels are thin and displayed with the aspect ratio of 16:9 (which is the anamorphic widescreen format) if the pixels are fat.

Color space and bits per pixel

''Color model name'' describes the video color representation. ''YIQ'' was used in NTSC television. It corresponds closely to the ''YUV'' scheme used in NTSC and PAL television and the ''YDbDr'' scheme used by SECAM television.

The number of distinct colors that can be represented by a pixel depends on the number of ''bits per pixel'' (bpp). A common way to reduce the number of bits per pixel in digital video is by chroma subsampling (e.g. 4:4:4, 4:2:2, 4:2:0/4:1:1).

Video quality

Video quality can be measured with formal metrics like PSNR or with subjective video quality using expert observation.

The subjective video quality of a video processing system may be evaluated as follows:

Choose the video sequences (the ''SRC'') to use for testing.

Choose the settings of the system to evaluate (the ''HRC'').

Choose a test method for how to present video sequences to experts and to collect their ratings.

Invite a sufficient number of experts, preferably not fewer than 15.

Carry out testing.

Calculate the average marks for each ''HRC'' based on the experts' ratings.

Many subjective video quality methods are described in the ITU-T recommendation BT.500. One of the standardized method is the ''Double Stimulus Impairment Scale'' (DSIS). In DSIS, each expert views an ''unimpaired'' reference video followed by an ''impaired'' version of the same video. The expert then rates the ''impaired'' video using a scale ranging from "impairments are imperceptible" to "impairments are very annoying".

Video compression method (digital only)

A wide variety of methods are used to compress video streams. Video data contains spatial and temporal redundancy, making uncompressed video streams extremely inefficient. Broadly speaking, spatial redundancy is reduced by registering differences between parts of a single frame; this task is known as ''intraframe compression'' and is closely related to image compression. Likewise, temporal redundancy can be reduced by registering differences between frames; this task is known as ''interframe compression'', including motion compensation and other techniques. The most common modern standards are MPEG-2, used for DVD, Blu-ray and satellite television, and MPEG-4, used for AVCHD, Mobile phones (3GP) and Internet.

Bit rate (digital only)

''Bit rate'' is a measure of the rate of information content in a video stream. It is quantified using the bit per second (''bit/s'' or ''bps'') unit or ''Megabits per second'' (''Mbit/s''). A higher bit rate allows better video quality. For example VideoCD, with a bit rate of about 1 Mbit/s, is lower quality than DVD, with maximum bit rate of 10.08 Mbit/s for video. HD (High Definition Digital Video and TV) has a still higher quality, with a bit rate of about 20 Mbit/s.

Variable bit rate (VBR) is a strategy to maximize the visual video quality and minimize the bit rate. On fast motion scenes, a variable bit rate uses more bits than it does on slow motion scenes of similar duration yet achieves a consistent visual quality. For real-time and non-buffered video streaming when the available bandwidth is fixed, e.g. in videoconferencing delivered on channels of fixed bandwidth, a constant bit rate (CBR) must be used.

Stereoscopic

''Stereoscopic video'' can be created using several different methods:

two channels — a right channel for the right eye and a left channel for the left eye. Both channels may be viewed simultaneously by using light-polarizing filters 90 degrees off-axis from each other on two video projectors. These separately polarized channels are viewed wearing eyeglasses with matching polarization filters.

one channel with two overlaid color coded layers. This left and right layer technique is occasionally used for network broadcast, or recent "anaglyph" releases of 3D movies on DVD. Simple Red/Cyan plastic glasses provide the means to view the images discretely to form a stereoscopic view of the content.

One channel with alternating left/right frames for each eye, using LCD shutter glasses which read the frame sync from the VGA Display Data Channel to alternately cover each eye, so the appropriate eye sees the correct frame. This method is most common in computer virtual reality applications such as in a Cave Automatic Virtual Environment, but reduces the effective video framerate to one-half of normal (for example, from 120 Hz to 60 Hz).

Blu-ray Discs greatly improve the sharpness and detail of the two-color 3D effect in color coded stereo programs. See articles Stereoscopy and 3-D film.

Video formats

There are different layers of video transmission and storage, each with its own set of formats to choose from.

For transmission, there is a physical connector and signal protocol ("video connection standard" below). A given physical link can carry certain "display standards" which specify a particular refresh rate, display resolution, and color space.

Many analog and digital recording formats are in use, and digital video clips can also be stored on a computer file system as files which have their own formats. In addition to the physical format used by the data storage device or transmission medium, the stream of ones and zeros that is sent must be in a particular digital "video encoding", of which a number are available.

Video connectors, cables, and signal standards

See List of video connectors for information about physical connectors and related signal standards.

Video display standards

Digital television

New formats for digital television broadcasts use the MPEG-2 video codec and include:

ATSC - USA, Canada, Korea

Digital Video Broadcasting (DVB) - Europe

ISDB - Japan

*ISDB-Tb - Uses the MPEG-4 video codec. Brazil, Peru

Digital Multimedia Broadcasting (DMB) - Korea

Analog television

Analog television broadcast standards include:

FCS - USA, Russia; obsolete

MAC - Europe; obsolete

MUSE - Japan

NTSC - USA, Canada, Japan

PAL - Europe, Asia, Oceania

* PAL-M - PAL variation. Brazil

* PALplus - PAL extension, Europe

RS-343 (military)

SECAM - France, Former Soviet Union, Central Africa

An analog video format consists of more information than the visible content of the frame. Preceding and following the image are lines and pixels containing synchronization information or a time delay. This surrounding margin is known as a blanking interval or blanking region; the horizontal and vertical front porch and back porch are the building blocks of the blanking interval.

Many countries are planning a digital switchover soon.

Computer displays

See Computer display standard for a list of standards used for computer monitors and comparison with those used for television.

Recording formats before video tape

Phonovision

Kinescope

Analog tape formats

1" Type B video tape (Robert Bosch GmbH])

1" Type C videotape (Ampex and Sony)

2" Quadruplex videotape (Ampex)

Betacam (Sony)

Betacam SP (Sony)

Betamax (Sony)

S-VHS (JVC) (1987)

W-VHS (JVC) (1994)

U-matic 3/4" (Sony)

VCR, VCR-LP, SVR

VERA (BBC experimental format ca. 1958)

VHS (JVC)

VHS-C (JVC)

Video 2000 (Philips)

''(See List of video recording formats.)''

Digital tape formats

Betacam IMX (Sony)

D-VHS (JVC)

D-Theater

D1 (Sony)

D2 (Sony)

D3

D5 HD

Digital-S D9 (JVC)

Digital Betacam (Sony)

Digital8 (Sony)

DV

HDV

ProHD (JVC)

MicroMV

MiniDV

Optical disc storage formats

Blu-ray Disc (Sony)

China Blue High-definition Disc (CBHD)

DVD (was Super Density Disc, DVD Forum)

Professional Disc

Universal Media Disc (UMD) (Sony)

Discontinued

Enhanced Versatile Disc (EVD, Chinese government-sponsored)

HD DVD (NEC and Toshiba)

HD-VMD

Laserdisc (old, MCA and Philips)

Digital encoding formats

CCIR 601 (ITU-T)

H.261 (ITU-T)

H.263 (ITU-T)

H.264/MPEG-4 AVC (ITU-T + ISO)

M-JPEG (ISO)

MPEG-1 (ISO)

MPEG-2 (ITU-T + ISO)

MPEG-4 (ISO)

Ogg-Theora

VC-1 (SMPTE)

Standards

System M

System B

Display devices

Display devices for showing videos are generally full-area (rather than segmented display), sometimes simply called video displays.

See also

General

* Audio

* List of video topics

* Video clips

* Video editing

Video format

*Analog television

*Cable television

*Color space

*Digital television

*Digital video

*Film formats

*Interlaced

*Progressive scan

*Satellite television

*Telecine

*Television

*Timecode

*Video codec

Video usage

*Closed-circuit television

*Fulldome video

*Optical feedback

*Video art

*Interactive video

*Video production

*Video projector

*Video synthesizer

*Video teleconference

*Video communication

Video screen recording

*Screencast

Projects

*Redesign project

References

External links

Programmer's Guide to Video Systems: in-depth technical info on 480i, 576i, 1080i, 720p, etc.

Category:Digital television Category:Film and video technology Category:High-definition television Category:Video formats Category:Display technology Category:Television terminology Category:Video signal Category:History of television

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Name	Charles Luciano
Birth date	November 24, 1897
Birth place	Lercara Friddi, Sicily, Italy
Death date	January 26, 1962
Death place	Naples, Italy
Charge	Heading prostitution racket
Penalty	79-50 years
Occupation	Allegedly had control over the drug trafficking supplying heroin from the rest of the world (Europe, Africa, Orient) to USA, Businessman, First boss of the Luciano Family which later became the Genovese crime family. Founder and Chairman of the Commission with Meyer Lansky, Hitman, Gambler, and Bootlegger. }}

Charlie "Lucky" Luciano (born Salvatore Lucania; November 24, 1897 – January 26, 1962) was an Italian mobster born in Sicily. Luciano is considered the father of modern organized crime in the United States for splitting New York City into five different Mafia crime families and the establishment of the first commission. He was the first official boss of the modern Genovese crime family. He was, along with his associate Meyer Lansky, instrumental in the development of the "National Crime Syndicate" in the United States.

Early life

Salvatore Lucania was born on November 24, 1897 in Lercara Friddi, Sicily. His parents, Antonio and Rosalia Lucania, had four other children: Bartolomeo (born 1890), Giuseppe (born 1898), Filippia (born 1901), and Concetta (born 1903). When Charlie was 10 years old (1907), the family migrated to the United States. They settled in New York City, on the Lower East Side at 265 East 10th Street. The neighborhood was a popular desitanation for Italian immigrants at the time.

While a teenager, he started his own gang. Unlike the other street gangs whose business was to pickpocket, mug, and steal, Lucania decided to offer protection to the Jewish youngsters who were picked on by their Italian and Irish counterparts. He would charge each one ten cents per week.

By the age of 20, he was well integrated into the crime scene in the Lower East Side, being involved in theft, extortion, and drug trafficking (for which he served a six-month prison term in 1916). He also became life-long friends with Jewish gangster Meyer Lansky.

Prohibition

On January 17, 1919, the Eighteenth Amendment to the U.S. Constitution was ratified and prohibition lasted until the amendment was repealed in 1933. The Amendment prohibited the manufacture, sale and transportation of alcoholic beverages. As there was still a substantial demand for alcohol, this provided criminals with an added source of income. Around this time, Luciano worked for Arnold Rothstein.

Luciano had plans to expand both his territory and profits by collaborating with other gangsters to cut down the cost of political protection and reduce the likelihood of hijacked shipments. However, Joe "The Boss" Masseria prevented Luciano from taking this path.

By 1921, Luciano had met many Mafia leaders, including Vito Genovese and Frank Costello, his longtime friend, business partner, and eventually Sottocapo through his involvement in the Five Points Gang. Together they began a bootlegging operation.

By 1925, Luciano was grossing over $12 million a year; however, he was netting much less each year due to the high costs of bribing politicians and police. Luciano and his partners ran the largest bootlegging operation in New York, one that also extended into Philadelphia. He imported scotch whisky directly from Scotland, rum from the Caribbean, and whisky from Canada. He was also involved in gambling.

Rise to power

At an early age Luciano had established himself as a creative criminal on the Lower East Side and eventually became a top aide to crime boss Joe Masseria who was involved in a prolonged turf war with rival crime boss Salvatore Maranzano during the 1920s.

Masseria was a Mustache Pete, an old-school mafioso who wanted to preserve the old Mafia ideals of honour, tradition, respect and dignity. Luciano and his contemporaries who had started their criminal careers in the United States were known as the Young Turks. Like the original Young Turks of the Ottoman Empire, they formed a young and ambitious group which challenged the established order. The Mustache Petes would not work with anyone who was not Italian or Italian American, and were even skeptical of working with anyone who was not Sicilian or Sicilian-American. Luciano believed that as long as money was being made, the family should deal with anyone. He was therefore shocked to hear old mafiosi lecturing him about his dealings with Costello, whom they called "the dirty Calabrian."

What became known as the Castellammarese War raged from 1928 to 1931, resulting in the death of as many as 60 mobsters. The war was nominally between Maranzano and Masseria. In truth, however, there was a third, secret faction, made up of Luciano and several other Young Turks from both the Masseria and Maranzano factions. In addition to Luciano, this group included Frank Costello, Vito Genovese, Albert Anastasia, Joe Adonis, Joe Bonanno, Carlo Gambino, Joe Profaci, Tommy Gagliano and Tommy Lucchese. They believed the Mustache Petes' greed was pushing them to the fringe while the Irish and Jewish gangs got rich. Luciano was already making plans to get rid of the Mustache Petes and form a national crime syndicate in which the Italian, Jewish and Irish gangs could pool their resources and turn organized crime into a lucrative business for all.

In 1929, Luciano was forced into a limousine at gun point by three men, beaten and stabbed, and dumped on a beach on New York Bay. He somehow survived the ordeal but was forever marked with a scar and droopy eye. His survival earned him the name Lucky although he may already have earned this nickname in his younger days because of his luck at avoiding police. After his abduction Luciano found out through Meyer Lansky that the attack had been ordered by Masseria's enemy, Salvatore Maranzano. In an ironic twist Luciano later cut a secret deal with Maranzano in which he agreed to engineer Masseria's death in return for being made Maranzano's second-in-command. This deal would end the famous Castellammarese War.

Luciano kept up his end of the bargain when he invited Masseria and two other associates to have lunch in a Coney Island restaurant. When they finished their lunch, they decided to play a game of cards. At that point Luciano stepped into the men's washroom. While Luciano was in the washroom, four gunmen--Bugsy Siegel, Vito Genovese, Albert Anastasia and Joe Adonis—walked into the restaurant and shot and killed Masseria and the other two associates. Luciano then took over Masseria's crime family.

Maranzano then made Luciano his number two, and set up the Five Families of New York. The newly formed families were headed by Maranzano, Luciano, Profaci, Gagliano and Vincent Mangano. Maranzano promised that they would all be equal and all be free to make money. However, while Maranzano was slightly more forward-thinking than Masseria, at heart he was still a Mustache Pete. He showed this at a later meeting of the crime bosses in Upstate New York, when he declared himself capo di tutti capi (Boss of all Bosses). He also whittled down the rackets of the rival families in order to strengthen his own family. Luciano appeared to accept this, though in reality he was merely biding his time before getting rid of Maranzano as well--as he'd planned all along.

Maranzano soon realized that Luciano was a threat, and hired Vincent "Mad Dog" Coll, a notoriously violent Irish gangster, to kill him. However, Lucchese alerted Luciano that he was marked for death. When Maranzano ordered Luciano and Genovese to come to his office at 230 Park Avenue in New York City on September 10, Luciano suspected they wouldn't come out alive. He had four Jewish gangsters pose as government agents and show up at Maranzano's office. While two of the "agents" disarmed Maranzano's bodyguards, the other two stabbed Maranzano multiple times before shooting him.

Reorganizing Cosa Nostra

Luciano now had businesses throughout the country. His longtime friend Meyer Lansky served as his right-hand man and adviser. When Dutch Schultz decided he was going to kill Manhattan District Attorney Thomas Dewey, in direct violation of Luciano's orders, Schultz was executed instead.

Luciano had reached the pinnacle of America's underworld, directing criminal rules, policies and activities along with the other family bosses. He ran a powerful crime family which now bore his name, and he controlled lucrative criminal rackets such as gambling, bookmaking, loan-sharking, drug trafficking and extortion. Luciano was very influential in labor and union activities and controlled the Manhattan Waterfront, garbage hauling, construction, Garment Center businesses and trucking.

Luciano abolished the title of ''Capo Di Tutti i Capi'', insisting that the position created tension and trouble between the families. He felt that the ceremony of being 'made a soldier' in a family should be done away with. Meyer Lansky however, urged him against it, arguing that young people needed rituals to cling to. Luciano also stressed the importance of the omertà, the oath of silence, and kept the organizational structure that Maranzano had instituted.

The Commission

Luciano, under the urging of Johnny Torrio, set up the Mafia's governing body, organizing the Commission with the Mafia family bosses. The Commission settled all disputes between families and has been called Luciano's most important innovation. The Commission decided which families controlled which territories. If an individual was to be a "made man", his boss had to first go before the Commission and receive their approval.

The Commission was originally composed of representatives of the Five Families of New York City, the Philadelphia crime family, the Buffalo crime family, Los Angeles crime family and the Chicago Outfit of Al Capone; later, the Detroit crime family, Kansas City crime family were added. All Commission members were supposed to retain the same power and had one vote, but in reality some families and bosses were more powerful than others.

The original Luciano family

Luciano elevated his most trusted and loyal family members to high-level positions in the Luciano crime family. The feared Vito Genovese became his Underboss, while Frank Costello was his consigliere. Michael "Trigger Mike" Coppola, Anthony Strollo, Joe Adonis, and Anthony Carfano all served as caporegimes. Meyer Lansky and Bugsy Siegel were both unofficial advisors to the Luciano family.

Prosecutions and prison

Luciano's reign was relatively short-lived. Special prosecutor Thomas E. Dewey, a future Republican presidential candidate (later Luciano himself affirmed that the Commission had done everything they could in order for Dewey to become President in exchange for Luciano's return to the US), singled out Luciano as an organized crime ringleader and targeted him, along with others. Luciano had previously voted against Dutch Schultz's proposal to assassinate Dewey after Schultz became the repeated target of Dewey's investigations.

In a raid by Dewey of 80 New York City brothels, hundreds of arrested prostitutes agreed to turn state's evidence in exchange for not receiving prison time. Three of them implicated Luciano as the ringleader, who made collections, although David "Little Davey" Betillo was in charge of the prostitution ring in New York, and any money that Luciano received was from Betillo. But Dewey had also managed to persuade the staff at The Waldorf-Astoria Hotel to lie and say that Luciano's gangster friends had often come to his room.

It is believed by almost all mob experts that Dewey framed Luciano, since Mafia did not bother with prostitution, and also Luciano meeting with hookers to collect money seemed absurd, considering his position as boss. Before he could get Luciano into court for trial, Luciano escaped to Hot Springs, Arkansas, the renowned gangster haven established by famous gangster Owney Madden. An Arkansas judge remanded Luciano to a state prison for extradition, but a local paid-off police detective bailed Luciano out of jail after only four hours. Dewey then sent detectives to Arkansas to spirit Luciano back for trial.

Dewey's efforts succeeded in Luciano being convicted on charges as leader of one of the largest prostitution rings in American history in 1936 and sentenced to 30 to 50 years in prison, along with Dave Betillo and others. Dewey exposed Luciano for lying on the witness stand, through direct quizzing and records of telephone calls; Luciano also had no explanation for why his federal income tax records claimed he made only $22,000 a year, while it was obvious to onlookers that he was a wealthy man.

Luciano continued to run the Luciano crime family from prison and his prison cell, relaying his orders through his first acting boss, Vito Genovese. Genovese had quickly lived up to his feared reputation for violence, and soon fled to Naples, Italy, in 1937 to avoid a murder indictment. The Family's third most powerful member, Consigliere Frank Costello became the new Sottocapo and overseer of Luciano's interests. It is a mystery to most organized crime historians just who it was that had replaced Costello as the family consigliere. The only hint to the Costello successor came from Joe Valachi. Valachi was a former soldier in the Genovese Family and the first major Mafia informer in the United States. Valachi mentions, in the book ''The Valachi Papers'', written by Peter Maas, a certain "Sandino," as the Family counselor. The mysterious "Sandino" was whispered about at a meeting Valachi attended with his Capo, Anthony "Tony Bender" Strollo.

Luciano was imprisoned in Clinton Correctional Facility in Dannemora, New York, where co-defendant Dave Betillo prepared special dishes for Luciano in a special kitchen set aside by authorities. He would use his influence to help get the materials to build a church at the prison, which became famous for being one of the only freestanding churches in the New York State correctional system and also for the fact that on the church's altar are two of the original doors from the ''Victoria'', the ship of Ferdinand Magellan.

World War II, freedom and deportation

During World War II, the U.S. government reportedly struck a secret deal with the imprisoned Luciano. United States Army Military Intelligence knew that Luciano maintained good connections in the Sicilian and Italian Mafia, which had been severely persecuted by Benito Mussolini. Luciano considered himself to be a loyal American who was devoted to Sicily, the Mafia, and the United States alike. His help was sought in providing Mafia assistance to counter possible Axis infiltration on U.S. waterfronts, during Operation Avalanche, and his connections in Italy and Sicily were tapped to furnish intelligence and ensure an easy passage for U.S. forces involved in the Italian Campaign. Albert Anastasia, who controlled the docks, promised that no dockworker strikes would arise. Both during and after the war, the U.S. military and intelligence agencies reputedly also used Luciano's Mafia connections to root out communist influence in labor groups and local governments. In return for his cooperation, Luciano was permitted to run his crime empire unhindered from his jail cell.

Luciano would later say that his contribution to the war effort had been a sham, designed purely to obtain his release from prison. The enemy threat to the docks, he said, had been manufactured by the sinking of the SS ''Normandie'' directed by Anastasia's brother, Anthony Anastasio. The ''Normandie'', a French passenger vessel, which had been seized by the U.S. under the right of angary, was being refitted as a troop ship in New York harbor. Furthermore, said Luciano, he did next to nothing to help the war effort in Italy.

In 1946, as a reward for his presumed wartime cooperation, Luciano was paroled on the condition that he depart the United States and return to Sicily. He accepted the deal, although he had maintained during his trial that he was a native of New York City and was therefore not subject to deportation. He was deeply hurt about having to leave the United States, a country he had considered his own ever since his arrival at age ten. During his exile, Luciano used to meet US military men during train trips throughout Italy, and he enjoyed being recognized by his countrymen and tourists, taking photos and even signing autographs for them.

The Havana Conference

Although Luciano was paroled from prison on the condition that he permanently return to Sicily, he secretly moved to Cuba, where he worked to resume control over American Mafia operations. Meyer Lansky started investing heavily in a Cuban hotel project.

In 1946, Lansky called together the heads of all the major Families, claiming that they were going to see Frank Sinatra perform. Luciano had three topics to discuss: the heroin trade, Cuban gambling, and what was to be done about Bugsy Siegel. The Conference took place at the Hotel Nacional de Cuba and lasted a little more than a week.

One of the main topics for discussion at the Havana Conference was ordering a hit on Siegel, who was unaware of this meeting. Meyer Lansky, who several times owed his life to Siegel when they were young, took a stand against the hit. He begged the attendees to give Siegel a chance by waiting until after the casino opening. Luciano, who believed Siegel could still turn a profit in Las Vegas, Nevada, and pay back what he owed the Mafia investors, agreed to postpone the hit.

To placate his investors, Siegel opened Flamingo Las Vegas, his still-unfinished casino, on the star-studded night of December 26, 1946, although he did not have as many Hollywood celebrities with him as he had hoped. Soon the Flamingo ran dry of entertainers and customers; it closed after only two weeks in order to resume construction. The fully operational Flamingo re-opened in March 1947. Still dissatisfied, the casino's gangster investors once again met in Havana in the spring of 1947 to decide whether to murder Siegel. Luckily for Siegel, the Flamingo had just turned a profit that month. Lansky again spoke up in support of his old friend and convinced Luciano to give Siegel one last chance. However, when the Flamingo still failed to turn a profit, Siegel's fate was sealed; he was killed by four shots fired through a window at his girlfriend's California home in June 1947.

The deposed Luciano asked that he be declared Capo Di Tutti i Capi. His old friends and business associates agreed that he deserved the title; all except Vito Genovese, who wanted the title for himself and is rumored to have leaked Luciano's whereabouts to the government. Luciano reportedly took him into a room and beat him severely for his betrayal.

When the US government learned of Luciano's presence in the Caribbean, he was forced to fly back to Italy. The US government threatened to stop all shipments of medical drugs to Cuba unless Luciano left.

Operating in Italy

While exiled in Italy Luciano left his stamp on American organized crime and the larger society for decades to come by making narcotics trafficking one of Cosa Nostra's biggest money making ventures. Between October 10 and October 14, 1957 Luciano oversaw a parley of more than thirty Sicilian and American Mafia leaders to draw up plans for the smuggling and distribution of heroin into the United States. According to Selwyn Raab, an investigative reporter for The New York Times who covered organized crime and criminal justice matters for twenty-five years, it was at the Luciano meeting, held in the Grand Hotel et des Palmes in Palermo, Sicily, that a plan was put into place through which Sicilians were responsible for distributing heroin in the U.S., while the American mobsters collected a share of the income as "franchise fees." Luciano's plan included a scheme to expand the then tiny heroin and cocaine market in the U.S. by reducing the price and focusing on working class black and white urban neighborhoods. In the late 1950s an estimated 50,000 Americans were addicted to heroin, yet just two decades later that number ballooned ten times. Contrary to the myth perpetrated by Hollywood gangster films such as The Godfather, the Mafia was directly responsible for the rampant drug trade in the U.S., and the subsequent social problems that resulted.

Personal life

After being deported to Italy, Luciano fell in love with Igea Lissoni, an Italian dancer 20 years his junior. They lived together peacefully until they learned that there was a hit contract on Luciano, and the two went into hiding. They changed apartments many times throughout the months and moved from hotel to hotel before the hit was called off.

Barred from Rome after the hit was called off, the two lived together in Luciano's 60-room house on Via Tasso in Naples. Igea was reportedly the center of Luciano's life, so when she died of breast cancer, he began to fall apart, as did his control of the American syndicate and his own projects based out of Italy. After living together for 11 years, there was never any confirmation that the two ever married. If they had, it would have been illegal, since Luciano's deportation barred him from marriage.

American power struggle

During his exile, Luciano missed a major power shift in America. Vito Genovese, who was at one time Luciano's Underboss, had decided that he wanted to take over the Luciano Family. After a botched 1957 assassination attempt on Costello by Vinnie "The Chin" Gigante, Costello stepped down as Don and let Genovese take over. But Genovese wanted to take out his competition.

It was at the famous Apalachin Meeting, later in 1957, that Genovese planned to propose to The Commission that Luciano be stripped of his title as ''Capo Di Tutti i Capi,'' and that he be crowned Boss of all Bosses. But he did not count on Carlo Gambino, one of Luciano's protégés, to hold loyalty to his old Boss.

Costello, Luciano, and Gambino met in a hotel in Palermo, Sicily, to discuss their plan of action.

Death and legacy

Luciano was reportedly told not to promote or participate in films about his life, as it would have attracted unnecessary attention to the mob. He relented after Igea Lissoni died of breast cancer and was scheduled to meet with a movie producer arriving by plane at the Naples Airport. On January 26, 1962, Luciano died of a heart attack at Naples International Airport. Back in 1946 after serving his prison sentence, Luciano had been deported and thus denied entry into the United States, but in death his desire was granted. He was buried in St. John's Cemetery in Queens. More than 2,000 mourners attended his funeral. His longtime friend, Carlo Gambino, spoke at the funeral.

Carlo Gambino was the only other boss besides Luciano to have complete control of the Commission and virtually every Mafia family in the United States. Luciano, unlike many Italian gangsters in the days of his rise to the top, was prepared to do dealings with non-Italians mainly of Jewish descent. As much as it was resented by his fellow Italians, it paid dividends. With the help of his Jewish associates he reinvented the mob into the most powerful crime syndicate the United States has ever witnessed and, in the process, oversaw the golden era of the Italian-American Mafia. Lucky Luciano made what was then an unprecedented Mafia coup, facilitating the murders of two of the most feared bosses Joe Masseria and Salvatore Maranzano. At the peak of his criminal career Lucky Luciano's influence was far reaching to the extent that the United States government through the FBI approached him for help in protecting the Navy fleet in New York and with the invasion of Italy to defeat Mussolini in World War 2. Luciano's contribution led to his release from prison in February 1946. In popular culture proponents of the Mafia and its history often debate as to who was the greater between Luciano and his contemporary Al Capone. The much publicized exploits of Al Capone with the Chicago Outfit made him the most famous mobster in American history, however Capone did not command influence over other Mafia families; something Luciano did in creating and running The Commission. For being the Mafia hegemon in the era of landmark mobsters like Albert Anastasia, Frank Costello, Meyer Lansky, Bugsy Siegel, Tommy Lucchese, Carlo Gambino and Vito Genovese all of whom he led, Charles Lucky Luciano is thus considered by many as the most powerful Mafia boss of all time.

''TIME'' magazine deplored Luciano as the "criminal mastermind" among the top 20 most influential builders and titans of the 20th century.

Media portrayals

Films The Valachi Papers (1972) – Luciano was portrayed by Angelo Infanti ''Lucky Luciano'' (1973) – Luciano was portrayed by Gian Maria Volonté The Cotton Club (1984) – Luciano was portrayed by Joe Dallesandro Mobsters (1991) – Luciano was portrayed by Christian Slater Bugsy (1991) – Luciano was portrayed by Bill Graham Billy Bathgate (film) (1991) – Luciano was portrayed by Stanley Tucci ''White Hot: The Mysterious Murder of Thelma Todd'' (TV 1991) – Luciano was portrayed by Robert Davi Hoodlum (1997) – Luciano was portrayed by Andy García ''Bonanno: A Godfather's Story'' (TV 1999) – Luciano was portrayed by Vince Corazza ''Lansky'' (TV 1999) – Luciano was portrayed by Anthony LaPaglia ''The Real Untouchables'' (TV 2001) – Luciano was portrayed by David Viggiano ''The Last Testament of Lucky Luciano'' (2011) – based on the book, "The Last Testament of Lucky Luciano" by Martin Gosch and Richard Hammer is currently in the works.

T.V. series The Witness (TV series) (1960–1961) – Luciano was portrayed by Telly Savalas The Gangster Chronicles (1981) – Luciano was portrayed by Michael Nouri Boardwalk Empire (2010–present) – Luciano is portrayed by Vincent Piazza

Books

''Luciano's Luck'', Jack Higgins (1981). Fictional based on the Luciano's WWII supposed war efforts.

See also

Mafia

Black Hand (extortion)

Cesare Mori

References

Notes

External links

'Havana' Revisited: An American Gangster in Cuba ''NPR'', June 5, 2009

Bibliography

Johnson, Richard. ''H'Wood Eyes Luciano Tale,'' Publisher: New York Post 2007

Gosch, Martin A. and Hammer, Richard. ''The Last Testament of Lucky Luciano,'' Boston: Little Brown and Company, 1974. ISBN 0-316-32140-0

Raab, Selwyn. ''Five Families: The Rise, Decline, and Resurgence of America's Most Powerful Mafia Empires'' Publisher: St. Martin's Press 2006 ISBN 0-312-36181-5

Klerks, Cat. ''Lucky Luciano: The Father of Organized Crime'' (True American Amazing Stories Series) Publisher: Altitude Publishing, Ltd. 2005 ISBN 1-55265-102-9

Powell, Hickman. ''Lucky Luciano, his amazing trial and wild witnesses''. Publisher: Barricade Books, Incorporated 2000 ISBN 0-8065-0493-5

Feder, Sid and Joesten, Joachim. ''Luciano Story''. Publisher: Da Capo Press 1994 ISBN 0-306-80592-8

Category:1897 births Category:1962 deaths Category:Bosses of the Genovese crime family Category:Capi di tutti capi Category:Burials at St. John's Cemetery (Queens) Category:Deaths from myocardial infarction Category:Five Points Gang Category:Genovese crime family Category:American mob bosses Category:People deported from the United States Category:People from the Province of Palermo Category:Prohibition-era gangsters Category:American mobsters of Sicilian descent Category:Sing Sing prison Category:Smallpox survivors

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name	Justin Bieber
background	solo_singer
birth name	Justin Drew Bieber
birth date	March 01, 1994
birth place	London, Ontario, Canada
origin	Stratford, Ontario, Canada
instrument	Vocals, guitar, piano, percussion, trumpet
genre	Pop, R&B, teen pop
occupation	Singer, musician, actor
years active	2009–present
label	Island, RBMG
associated acts	Usher
website	justinbiebermusic.com }}

Justin Drew Bieber ( , born March 1, 1994) is a Canadian pop/R&B singer, songwriter and actor. Bieber was discovered in 2008 by Scooter Braun, who came across Bieber's videos on YouTube and later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher, and then to a recording contract with Island Records offered by L.A. Reid. Bieber's debut single, "One Time", was released in 2009 and peaked in the top ten in Canada and charted in the top thirty in several international markets. His debut album, the seven-track EP ''My World'', followed in November 2009, and was soon certified platinum in the United States (it was later reissued with two bonus tracks). He became the first artist to have seven songs from a debut album chart on the ''Billboard'' Hot 100.

Bieber's first full-length studio album, ''My World 2.0'', was released in March 2010. It debuted at number one or within the top ten in several countries and was certified platinum in the United States. It was preceded by the worldwide top-ten single, "Baby". The music video of "Baby" is currently ranked as the most viewed and most discussed YouTube video. Bieber followed-up the release of his debut album with his first headlining tour, the My World Tour, the remix albums ''My Worlds Acoustic'' and ''Never Say Never – The Remixes'', and the 3D biopic-concert film ''Justin Bieber: Never Say Never'' – which had an opening weekend gross that nearly matched the record for the biggest opening weekend for a concert-film. Bieber released his second studio album, ''Under the Mistletoe'' in November 2011, which debuted at number one on the ''Billboard'' 200. Bieber has received numerous awards, including Artist of the Year at the 2010 American Music Awards — and has been nominated for numerous awards, including Best New Artist and Best Pop Vocal Album at the 53rd Grammy Awards.

Life and career

1994–2007: Childhood and youth

Bieber was born on March 1, 1994, in London, Ontario, and was raised in Stratford, Ontario. Bieber's mother, Patricia Lynn "Pattie" Mallette, was 18 years old when she became pregnant with her son. Mallette, originally from Stratford, raised her son with the help of her parents, Bruce and Diane. Mallette worked a series of low-paying office jobs, raising Bieber as a single mother in low-income housing. Bieber has maintained contact with his father, Jeremy Jack Bieber, who married another woman and had two children. Bieber's paternal great-grandfather was a German immigrant to Canada. His mother's ancestry is French Canadian. Bieber attended French immersion school at Stratford school Jean Sauve.

During his childhood, Bieber was interested in hockey, soccer, and chess; he often kept his musical aspirations to himself. As he grew up, Bieber taught himself to play the piano, drums, guitar, and trumpet. In early 2007, when he was twelve, Bieber sang Ne-Yo's "So Sick" for a local singing competition in Stratford and placed second. Mallette posted a video of the performance on YouTube for their family and friends to see. She continued to upload videos of Bieber singing covers of various R&B songs, and Bieber's popularity on the site grew. Chris Hicks, Bieber's A&R at Island/Def Jam, explained the young artist's huge online following to HitQuarters by saying:

"He was doing something different. He was an attractive white kid singing very soulful R&B hits. That set him apart immediately from anyone in his range because no one was covering or singing these kind of records. But equally important was that you believed in these songs – it was real. And you wanted to hear more."

2008–10: Discovery, ''My Worlds'', and subsequent releases

While searching for videos of a different singer, Scooter Braun, a former marketing executive of So So Def, clicked on one of Bieber's 2007 videos by accident. Impressed, Braun tracked down the theater Bieber was performing in, located Bieber's school, and finally contacted Mallette. Mallette was reluctant because of Braun's Jewish religion; she remembered praying, "God, I gave him to you. You could send me a Christian man, a Christian label! ... you don’t want this Jewish kid to be Justin’s man, do you?" However, after praying with her church elders and receiving their encouragement, she permitted Braun to fly Bieber, then 13, to Atlanta, Georgia, to record demo tapes. A week after arriving, Bieber sang for R&B singer/songwriter Usher. Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher. Justin Timberlake was also reportedly in the running to sign Bieber, but lost the bidding war to Usher. Usher then sought assistance in finding a label home for the artist from then manager Chris Hicks, who helped engineer an audition with his contact Antonio L.A. Reid of Island Def Jam Music Group. Reid signed Bieber to Island Records in October 2008 (resulting in a joint venture between RBMG and Island Records) and appointed Hicks as executive Vice-President of Def Jam where he would be able manage Bieber's career at the label. At that point, Bieber and his mother moved to Atlanta temporarily, also the home of Usher and Braun, to record and get counseling from Braun. Braun became Bieber's manager.

Bieber's first single, "One Time", was released to radio while Bieber was still recording his debut album. The song reached number 12 on the Canadian Hot 100 during its first week of release in July 2009, and later peaked at number 17 on the Billboard Hot 100. During fall 2009 it had success in international markets. The song was certified Platinum in Canada and the US and Gold in Australia and New Zealand. Bieber's first release, an extended play entitled ''My World'', was released on November 17, 2009. The album's second single, "One Less Lonely Girl", and two promo singles, "Love Me", and "Favorite Girl", were released exclusively on the iTunes store and charted within the top forty of the Billboard Hot 100. "One Less Lonely Girl" was later also released to radio and peaked within the top fifteen in Canada and the US, being certified Gold in the latter. ''My World'' was eventually certified Platinum in the US and Double Platinum in both Canada and the UK. To promote the album, Bieber performed on several live shows such as mtvU's VMA 09 Tour, European program ''The Dome'', YTV's ''The Next Star'', ''The Today Show'', ''The Wendy Williams Show'', ''Lopez Tonight'', ''The Ellen DeGeneres Show'', ''It's On with Alexa Chung'', ''Good Morning America'', ''Chelsea Lately'', and BET's ''106 & Park'' with Rihanna. Bieber also guest starred in an episode of ''True Jackson, VP'' in late 2009.

Bieber performed Stevie Wonder's "Someday at Christmas" for U.S. President Barack Obama and first lady Michelle Obama at the White House for ''Christmas in Washington'', which was broadcast on December 20, 2009, on U.S. television broadcaster TNT. Bieber was also one of the performers at Dick Clark's New Year's Rockin' Eve with Ryan Seacrest on December 31, 2009. Bieber was a presenter at the 52nd Grammy Awards on January 31, 2010. He was invited to be a vocalist for the remake of We Are The World (a song written by Michael Jackson and Lionel Richie) for its 25th anniversary to benefit Haiti after the earthquake. Bieber sings the opening line, which was sung by Lionel Richie in the original version. On March 12, 2010, a version of K'naan's "Wavin' Flag" recorded by a collective of Canadian musicians known as Young Artists for Haiti was released. Bieber is featured in the song, performing the closing lines.

"Baby", the lead single from his debut album, ''My World 2.0'', which features Ludacris, was released in January 2010 and became his biggest hit thus far, charting at number five in the U.S. and reaching the top ten in seven other countries. Two promo singles "Never Let You Go", and "U Smile" were top thirty hits on the U.S. Hot 100, and top twenty hits in Canada. According to review aggregator Metacritic, the album has received "generally favorable reviews". It debuted at number one on the U.S. ''Billboard'' 200, making Bieber the youngest solo male act to top the chart since Stevie Wonder in 1963. ''My World 2.0'' also debuted at number one on the Canadian Albums Chart, Irish Albums Chart, and Australian Albums Chart, and the New Zealand Albums Chart and reached the top ten of fifteen other countries. To promote the album, Bieber appeared on several live programs including ''The View'', the 2010 Kids Choice Awards, ''Nightline'', ''The Late Show with David Letterman'', ''The Dome'' and ''106 and Park''. Bieber collaborated with Sean Kingston on his single "Eenie Meenie" which also appeared on Bieber's debut album. The song reached the top ten in the United Kingdom and Australia, and the top-twenty of most other markets. thumb|left|Bieber performing at the Conseco Fieldhouse, in August 2010 On April 10, 2010, Bieber was the musical guest on ''Saturday Night Live''. On July 4, 2010, Bieber performed at the Macy's Fourth of July Fireworks Spectacular in New York City. The second single from ''My World 2.0'', "Somebody to Love", was released in April 2010, and a remix was released featuring Bieber's mentor Usher. The single reached number ten in Canada, number fifteen in the United States, and the top twenty in multiple international countries.

On June 23, 2010, Bieber went on his first official headlining tour, the My World Tour, starting in Hartford, Connecticut, to promote ''My World'' and ''My World 2.0''. In July 2010, it was reported that Bieber was the most searched for celebrity on the Internet. That same month his music video, "Baby", surpassed Lady Gaga's "Bad Romance" to become the most viewed, and most disliked YouTube video ever. In September 2010, it was reported that Bieber accounted for three percent of all traffic on Twitter, according to an employee of the social-networking site.

Bieber began recording his second album in July 2010 in New York City. At this point, because of puberty, his voice was deeper than it was when he recorded his first album. In April 2010, the singer discussing his vocals remarked, "It cracks. Like every teenage boy, I'm dealing with it and I have the best vocal coach in the world. [...] Some of the notes I hit on "Baby" I can't hit anymore. We have to lower the key when I sing live." British singer/songwriter Taio Cruz confirmed in July 2010 that he is writing songs for Bieber's next album. Hip hop producer Dr. Dre produced two songs with Bieber in July 2010 but it is unknown if they were made for the album, which is currently due for a 2011 release. Bieber guest-starred in the season premiere of the CBS crime drama ''CSI: Crime Scene Investigation'', aired on September 23, 2010. He played a "troubled teen who is faced with a difficult decision regarding his only brother". Bieber was also in a subsequent episode which aired on February 17, 2011, in which his character is killed. Bieber performed a medley of "U Smile", "Baby", and "Somebody to Love" and briefly played the drums at the 2010 MTV Video Music Awards on September 12, 2010. Bieber announced in October 2010 that he would release an acoustic album, called ''My Worlds Acoustic''. It was released on Black Friday in the United States and featured acoustic versions of songs from his previous albums, and accompanied the release of a completely new song titled "Pray".

2011–present: ''Never Say Never'' film, ''Under the Mistletoe'' and ''Believe''

A 3-D part-biopic, part-concert film starring Bieber entitled ''Justin Bieber: Never Say Never'', was released February 11, 2011, directed by ''Step Up 3D'' director Jon Chu. It topped the box office with an estimated grossing of $12.4 million on its opening day from 3,105 theaters. It grossed $30.3 million for the weekend and was narrowly beaten by the romantic comedy ''Just Go With It'', which grossed $31 million. ''Never Say Never'' is said to have exceeded industry expectations, nearly matching the $31.1 million grossed by Miley Cyrus's 2008 3-D concert film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, which holds the record for the top debut for a music-documentary. The film is accompanied by his second remix album, ''Never Say Never – The Remixes'', released February 14, 2011, and features remixes of songs from his debut album, with guest appearances from Miley Cyrus, Chris Brown, and Kanye West, among others.

On February 27, 2011, Bieber attended the 2011 Vanity Fair Oscar Party with American actress and singer Selena Gomez, confirming several months of media speculation about a romantic relationship between the pair. The relationship has since continued to garner significant media attention.

In June 2011, Bieber was ranked number 2 on the Forbes list of Best-Paid Celebrities under 30. He is the youngest star and 1 of 7 musicians on the list raking in with $53 million earned in a 12 month period. On November 1, 2011, Bieber released ''Under the Mistletoe'', his second studio album. It debuted at number one on the ''Billboard'' 200, selling 210,000 copies in its first week of release. Bieber is currently recording his third studio album entitled ''Believe''. Kanye West and Drake are confirmed to be featured on the album.

Image

''The Observer'' newspaper in the UK published a report indicating that Justin Bieber is more influential in the social networking sphere than Barack Obama or The Dalai Lama. According to Jan Hoffman of ''The New York Times'', part of Bieber's appeal stems from his YouTube channel. Long before he released his EP, ''My World'', in mid-November, the YouTube videos attracted millions of views. Braun recognized the appeal. Prior to flying him to Atlanta, Braun wanted to "build him up more on YouTube first" and had Bieber record more home videos for the channel. "I said: 'Justin, sing like there’s no one in the room. But let's not use expensive cameras.' We'll give it to kids, let them do the work, so that they feel like it's theirs", recalled Braun. Bieber continues to upload videos to the same channel and has opened a Twitter account, from which he interacts with fans regularly; his account was reported in November 2010 to have over 6 million followers. Since then he has been consistently gaining followers at an average of 24,000 per day. The accounts also serve marketing purposes; for example, Bieber's music video for "One Time" only began selling quickly after it was uploaded to YouTube. Usher comments that while he and Bieber were both signed at the same age, "I had the chance to ramp up my success, where this has happened to Bieber abruptly." As a result, Usher, Braun, Bieber's bodyguard Kenny, and other adults surrounding Bieber constantly coach him on handling fame and his public image. After signing Bieber, Usher appointed one of his former assistants, Ryan Good, to be Bieber's road manager and stylist. Good, once nicknamed Bieber's "swagger coach", created a "streetwise look" for the singer which consisted of baseball caps, hoodies, dog chains and flashy sneakers. Amy Kaufman of ''The Los Angeles Times'' comments, "Though a product of a middle-class suburban upbringing in Stratford, Ontario, Bieber's manner of dress and speech ("Wassup man, how you doin'?" or "It's like, you know, whateva' ") suggest he's mimicking his favorite rappers."

Bieber is often featured in teen magazines such as ''Tiger Beat'', and has been labeled as a "teen hearthrob". Bieber has released a collection of nail varnishes to raise awareness for charity. Wax statues of Bieber are on display at Madame Tussauds wax museums in New York, Amsterdam and London. His change of hairstyle in 2010, and the consequent alterations to Bieber products, led to it being called 'the most expensive musical haircut of all time; one company spent $100,000 to fix its dolls for the 2011 Christmas season.

Personal views

Bieber is a Christian, and said he has a relationship with Jesus, talks to him and that "he's the reason I'm here".

Bieber's comments in a February 2011 profile in ''Rolling Stone'' sparked controversy. Asked whether a person should wait until marriage to have sex, Bieber responded, "I don't think you should have sex with anyone unless you love them." Asked about his opinion on abortion, Bieber said he does not "believe in abortion" and that it is "like killing a baby". When asked about abortion in cases of rape, he said, "Well, I think that's really sad, but everything happens for a reason. I don't know how that would be a reason. I guess I haven't been in that position, so I wouldn't be able to judge that." In the same interview, Bieber talked about homosexuality, stating that "It's everyone's own decision to do that. It doesn’t affect me and shouldn't affect anyone else", and ''Rolling Stone'' commented, "It is not clear whether he intended to label homosexuality as a lifestyle choice." However, Bieber has also contributed to the It Gets Better Project, a project started in response to the suicide of Billy Lucas, a teenager who was the target of anti-gay bullying.

Bieber has said he is not interested in obtaining United States citizenship, praising Canada as being "the best country in the world", citing its health care system as an example.

Criticism

Bieber has been criticized for looking and sounding younger than his age, his teen-pop music, image, and frequent media attention. He has been a frequent target of Internet bloggers and message board posters, notably by users of Internet message board 4chan and users of YouTube. Nick Collins of ''The Daily Telegraph'' speculated that "Bieber's character also appears to strike a particularly sour note with his Internet critics, with many remarks commenting on his youthful appearance, his teen-pop songs, his image as a heart-throb to young teenage girls and his manner of speech".

Discography

''My World 2.0'' (2010)

''Under the Mistletoe'' (2011)

''Believe'' (2012)

Tour

2009: Urban Behavior Tour

2010–2011: My World Tour

Filmography

rowspan="4" ''Extreme Makeover: Home Edition'' Himself

Year !! Title !! Role !! Notes
rowspan="2"	2009	''True Jackson, VP''	>rowspan="3"| Guest star
''My Date With...''
	Silent Library (MTV series)>Silent Library''
''School Gyrls (film)	School Gyrls''	Cameo
''Saturday Night Live''
''CSI: Crime Scene Investigation''	Jason McCann
''Hubworld''	Guest star
''The X Factor (UK)''	Performer
rowspan="9"	2011	|	Guest star
''CSI: Crime Scene Investigation''	Jason McCann
''Khloé & Lamar''	|Episode:The Father In Law (uncredited) Himself playing the NBA Celebrity All Star Game
''Saturday Night Live''
''Justin Bieber: Never Say Never''	Himself
''Dancing With The Stars''	Guest star
''So Random!''	Himself
''Disney Parks Christmas Day Parade''	Guest star
''The X Factor (UK)''	Performer

Awards and nominations

References

Further reading

External links

Category:1994 births Category:Canadian child singers Category:Canadian Christians Category:Canadian dance musicians Category:Canadian expatriate musicians in the United States Category:Canadian Internet personalities Category:Canadian male singers Category:Canadian people of French descent Category:Canadian people of German descent Category:Canadian pop singers Category:Canadian rhythm and blues singers Category:Child pop musicians Category:Hip hop singers Category:Island Records artists Category:Musicians from Ontario Category:People from Stratford, Ontario Category:Living people

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name	Rebecca Black
background	solo_singer
birth date	June 21, 1997
birth place	Anaheim, California, U.S.
genre	Teen pop, bubblegum pop, dance-pop, pop
occupation	Singer
instrument	Vocals
years active	2011–present
label	RB
website
notable instruments	}}

Rebecca Black (born June 21, 1997) is an American pop singer who gained extensive media attention with her 2011 single "Friday". Her mother paid $4,000 to have the single and an accompanying music video put out as a vanity release through the record label ARK Music Factory. The song was co-written and produced by Clarence Jey and Patrice Wilson of Ark Music Factory. After the video went viral on YouTube and other social media sites, "Friday" was derided by many music critics and viewers, who dubbed it "the worst song ever." The music video received around 167 million views, causing Black to gain international attention as a "viral star," before being removed from the site on June 16.

Biography

Rebecca Black was born on June 21, 1997, in Anaheim, California. She is the daughter of John Jeffery Black and Georgina Marquez Kelly, both veterinarians. An honor student, Black studied dance, auditioned for school shows, attended music summer camps, and began singing publicly in 2008 after joining the patriotic group Celebration USA. In 2011 Black left public school in favor of homeschooling, both in response to constant verbal bullying at school and in order to focus more of her time on her career.

Music career

In late 2010, a classmate of Black and music-video client of ARK Music Factory, a Los Angeles label, told her about the company. Black's mother paid $4,000 for Ark Music to produce her daughter's music video while the Blacks retained ownership of the master. The single, "Friday," written entirely by Ark, was released on YouTube and iTunes. The song's video was uploaded to YouTube on February 10, 2011, and received approximately 1,000 views in the first month. The video went viral on March 11, 2011, acquiring millions of views on YouTube in a matter of days, becoming the most-talked-about topic on social networking site Twitter, and garnering mostly negative media coverage. As of June 14, 2011, the video had received more than 3,190,000 "dislikes" on YouTube compared to more than 451,000 "likes". As of March 22, 2011, first-week sales of her digital single were estimated to be around 40,000 by ''Billboard.'' On March 22, 2011, Black appeared on ''The Tonight Show with Jay Leno,'' during which she performed the single and discussed the negative reaction to it. The song has peaked on the ''Billboard'' Hot 100 and the New Zealand Singles Chart at number 58 and 33, respectively. In the UK, the song debuted at number 61 on the UK Singles Chart.

In an interview with ''The Sun'', Black said that she is recording a new song for possible release as a single. She is currently working without a record deal. She also said that she is preparing materials for her debut album at Flying Pig Productions studio in Los Angeles containing songs with themes similar to that of "Friday," as she wants it to be "appropriate and clean." Black teamed up with Funny or Die on April Fools Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety." She has also stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.

In response to the YouTube video of "Friday," Black began to receive death threats in late February 2011, specifically by phone and email. These threats are being investigated by the Anaheim Police Department.

In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.

MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011. As an homage to "Friday," Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)," in which Black plays alongside Perry as the hostess of a party Perry attends. "Friday" was also performed on the second season of ''Glee'' in the episode, "Prom Queen," which originally aired May 10, 2011. When asked about why the song was covered on ''Glee'', show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."

Black released a self-produced single titled "My Moment" on July 18, with an accompanying music video, publishing it to her YouTube channel; the video as of August 22 has received, approximately, 520,000 "dislikes" against 300,000 "likes." In the "My Moment" music video, director Morgan Lawley features real life video of Black's life from both before and after her fame. Black is set to release a digital 5-track EP in August.

Black appears as herself in the music video of Katy Perry's single "Last Friday Night (T.G.I.F.)". She appears as the host of a party in the house next door to that of "Kathy Beth Terry". At the end of the video Perry attempts to blame the excesses of the party (which had subsequently moved to her own house) on Black, only for her parents (Corey Feldman and Debbie Gibson) to disbelieve her. Later on, Perry (in character as Kathy Beth Terry) and Black hosted a livestream on Tinychat.com after weeks of Black being mentioned on Terry's twitter. Perry, who performs Friday routinely on stage as part of California Dreams Tour, also brought Black on stage to perform the song as a duet during her show at the Nokia Theater on August 5, 2011.

On August 10, 2011, Rebecca Black was featured in an ABC ''Primetime Nightline: Celebrity Secrets'' special entitled ''Underage and Famous: Inside Child Stars' Lives''.

RB Records

Rebecca Black established her own independent record label RB Records. The first release on the new label was "My Moment", the follow up single to "Friday".

Discography

Singles

61 —

scope="col" rowspan="2" style="width:16em;"	Title	Year	Peak chart positions						Album
! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"		! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"
! scope="row"	rowspan="2">2011	58	40	|	46	33	60	rowspan="2"	TBA
scope="row"	"My Moment"	—	—	|	—	—	—

Awards and nominations

In April 2011, the ''MTV O Music Awards'', one of the annual awards established by MTV to honor the art, creativity, personality and technology of music into the digital space nominated "Which Seat Can I Take?" for "Favorite Animated GIF" that included footage by Rebecca Black featuring 50 Cent and Bert. Black was named "Choice Web Star" at the 2011 Teen Choice Awards in August 2011.

Year	Nominated work	Event	Award	Result
	"Which Seat Can I Take?" (50 Cent, Rebecca Black, Bert)	MTV O Music Awards	Favorite Animated GIF
Herself	2011 Teen Choice Awards	Choice Web Star

References

External links

Official YouTube channel

Category:1997 births Category:American child singers Category:American dance musicians Category:American female pop singers Category:ARK Music Factory Category:Child pop musicians Category:Internet memes Category:Living people Category:People from Anaheim, California Category:Singers from California

ar:ريبيكا بلاك ca:Rebecca Black de:Rebecca Black es:Rebecca Black fr:Rebecca Black id:Rebecca Black it:Rebecca Black he:רבקה בלאק ka:რებეკა ბლეკი lv:Rebeka Bleka hu:Rebecca Black mk:Ребека Блек ml:റെബേക്കാ ബ്ലാക്ക് nl:Rebecca Black ja:レベッカ・ブラック no:Rebecca Black nn:Rebecca Black uz:Rebecca Black pl:Rebecca Black pt:Rebecca Black ru:Блэк, Ребекка simple:Rebecca Black sr:Rebeka Blek fi:Rebecca Black sv:Rebecca Black uk:Ребекка Блек vi:Rebecca Black zh:瑞贝卡·布莱克

The term black people is used in systems of racial classification for humans of a dark skinned phenotype, relative to other racial groups. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class, socio-economic status also plays a role so that relatively dark skinned people can be classified as white if they fulfill other social criteria of whiteness and relatively light skinned people can be classified as black if they fulfill the social criteria for blackness. As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as 'black'. But, particularly in the United States, the racial classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry and exhibit cultural traits associated with being "African-American". Therefore, the term 'black people' is not an indicator of skin color but of racial classification.

Some definitions of the term include only people of relatively recent Sub Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture (recent scientific study notes that human skin color diversity is highest in sub-Saharan African populations). Other definitions of the term "black people" extend to other populations characterized by dark skin, including some indigenous to Oceania and Southeast Asia.

Physiological traits

Dark skin

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein. This is significantly earlier than the speciation of ''Homo sapiens'' from ''Homo erectus'' some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin. Furthermore, dark skin prevents an essential B vitamin, folate, from being destroyed. Therefore, in the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. White Australians have some of the highest rates of skin cancer as evidence of this expectation. Conversely, as dark skin prevents sunlight from penetrating the skin it hinders the production of vitamin D₃. Hence when humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem and lighter skin colors started appearing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible which gives the characteristic pale pink color of white people. The loss of melanin in white people is now thought to have been caused by a mutation in just one letter out of 3.1 billion letters of DNA.

Hair

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of Eurasian populations, as was already noted by Herodotus, who described the peoples of Libya (the "western Ethiopians") as ''wooly-haired''.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as 'thick', 'bushy', or 'woolly'. For several reasons, possibly including its relatively flat cross section (among other factors), this hair type conveys a dry or matte appearance. It is also very coarse, and its unique shape renders it very prone to breakage when combed or brushed.

The specific characteristics of the natural afro-hair form are unique among all mammals. The texture likely predates the evolution of dark skin. It evolved when, as pre-human Australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Africa

North Africa

Sub-Saharan

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been part of the Mediterranean sphere. Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa". Some criticize the use of the term, because, having become in many quarters synonymous with ''Black Africa'', it can leave the mistaken impression that there are not indigenous Black populations in North Africa. Furthermore, the Sahara cuts across countries such as Mauritania, Mali, Niger, Chad, and South Sudan, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Owen 'Alik Shahadah argues that the term sub-Saharan Africa has racist overtones:

However, some Black Africans prefer to be culturally distinguished from those who live in the north of the continent.

Cultural ideas of a black race

South Africa

In South Africa during the apartheid era, the population was classified into four main racial groups: ''Black'', ''White'', ''Asian'' (mostly Indian), and ''Coloured''. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.

During the apartheid era, those classed as 'Coloured' were oppressed and discriminated against. However, they did have limited rights and overall had slightly better socioeconomic conditions than those classed as 'Black'.

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define 'Black' people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored 'Africans' over 'Coloureds'. Some South Africans categorized as 'African Black' openly state that 'Coloureds' did not suffer as much as they did during apartheid. The popular saying by 'Coloured' South Africans to illustrate their dilemma is:

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.

Other than by appearance, 'Coloureds' can usually be distinguished from 'Blacks' by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.

In the Middle East

Arab world

Black African and Near Eastern peoples have interacted since prehistoric times. Some historians estimate that as many as 14 million black slaves crossed the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE. The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful ''lingua franca'' for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery. As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie ''Sadat'', starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization, which in turn helped advance the formation of the African Union.

Because of the patriarchal nature of Arab society, Arab men had more use of black female slaves than black male slaves, more black women were enslaved than men, and, because the Qur'an was interpreted to permit sexual relations between a male master and his female slave outside of marriage, many mixed race children resulted. When an enslaved woman became pregnant with her Arab captor's child, she became “umm walad” or “mother of a child”, a status that granted her privileged rights. The child would have prospered from the wealth of the father and been given rights of inheritance. Because of patrilineality, the children were born free and sometimes even became successors to their ruling fathers, as was the case with Sultan Ahmad al-Mansur, (whose mother was a Fulani concubine), who ruled Morocco from 1578 to 1608. Such tolerance, however, was not extended to wholly black persons, even when technically "free," and the notion that to be black meant to be a slave became a common belief. The term "abd", (,) "slave," remains a common term for black people in the Middle East, often though not always derogatory.

Turkey

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey. Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.

Israel

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel, most of whom came during the 1980s and 1990s. In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of then converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million, most of whom live in the United States, the Caribbean and Latin America, including Brazil. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States

In the first 200 years that black people had been in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas they were forced to give up their ethnic affiliations for fear of uprisings. The result was the Africans had to intermingle with other Africans from different ethnic groups. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was now based on skin color and African ancestry rather than any one ethnic group.

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared its continued use would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions however elected to keep their historical names such as African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.

The term ''black'' was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech, Martin Luther King, Jr. uses the terms ''Negro'' 15 times and ''black'' 4 times. Each time he uses ''black'' it is in parallel construction with ''white'' (for example,, black men and white men). With the successes of the civil rights movement a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of ''Negro'', ''black'' was promoted as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud". In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African American and black have essentially a coequal status. There is still much controversy over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin. Others have argued that "Black" is a better term because "African" suggests foreignness, despite the long presence of Black people in the US. Still others believe the term black is inaccurate because African Americans have a variety of skin tones. Surveys show that the majority of Black Americans have no preference for whether "African American" or "Black" is employed to describe them, although they also show that there is a slight preference for "Black" in personal settings and "African American" in more formal settings. The appropriateness of the term "African American" is further confused, however, by increases in the number of immigrants from Africa, the Caribbean and Latin America. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native descendants of African slaves.

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African American, Afro American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.

A considerable portion of the U.S. population identified as ''black'' actually have some Native American or White ancestry. For instance, genetic studies of African American people show an ancestry that is on average 17–18% European.

One drop rule

Historically, the United States used a colloquial term, the ''one-drop rule'', to designate a black person as any person with any known African ancestry. Legally the definition varied from state to state. Thomas Jefferson had slaves who were legally white (less than 25% Black) and legally slaves (mother was a slave). Outside of the US, some other countries have adopted the practice, but the definition of who is black and the extent to which the one drop "rule" applies varies from country to country.

The one drop rule may have originated as a means of increasing the number of black slaves and been maintained as an attempt to keep the white race pure. One of the results of the one drop rule was uniting the African American community and preserving an African identity. Some of the most prominent civil rights activists were multiracial, and advocated equality for all.

Blackness

thumb|upright|right|Barack Obama, the first black president of the United States, was throughout his campaign criticized as being either "too black" or "not black enough".The concept of blackness in the United States has been described as the degree to which one associates themselves with mainstream African American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white" where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music, and possibly, from the perspective of a significant number of Black youth, academic achievement.

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president, because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same" Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide and his welfare reform which some claim led to the worst child poverty since the 1960s along with the fact that the number of black people in jail increased during his administration.

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant. Obama refers to himself interchangeably as black and African American.

Brazil

The topic of race in Brazil is a complex and diverse one. A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.

There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.

Statistics

+Demographics of Brazil
Year!! White !! Pardo!! Black
1835	24.4%	18.2%	51.4%
2000	53.7%	38.5%

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil. An estimated 80 million Brazilians, almost half the population, are at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white population has either African or Amerindian blood. According to the last census 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown)- a broad multiracial category.

A philosophy of whitening emerged in Brazil in the 19th century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermarriage. A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.

Race relations in Brazil

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil.

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.

In the US, black people earn 75% of what white people earn. In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns. Unlike in the US where African Americans were united in the civil rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Afro-Brazilians make up half the population there are very few black politicians. The city of Salvador, Bahia for instance is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.

Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its black and indigenous population. For example the telenovelas or soaps are said to be a hotbed of white, largely blonde and blue/green-eyed actors who resemble Scandinavians or other northern Europeans more than they resemble the typical whites of Brazil, who are mostly of Southern European descent.

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.

In Asia and Australasia

China

As of August, 2008, ''The Migration Information Source'' article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."

India and Southeast Asia

The Great Andamanese are one of five Afro Asian ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction. The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Zanj (Black African) slaves. In Pakistan, Zanj descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Aeta people of Luzon and the Ati of Panay in the Philippines.

Melanesia

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians.

In Europe

United Kingdom

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other". Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the ''Empire Windrush''. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency.

France

France is an ethnically diverse nation, with about 2.5 – 5 million black people.

Balkans

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community. As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black. The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.

Eastern Europe

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans. This extended beyond the Soviet Union to many countries of the Eastern bloc.

Debates on race

In Afrocentrism

A controversy over the skin color and ethnic origins of the ancient Egyptians was sparked as part of the Afrocentric debate. Afrocentrist scholars such as Cheikh Anta Diop contend that ancient Egypt was primarily a "black civilization". One source cited in support of their argument is Herodotus, who wrote around 450 B.C. that "Colchians, Ethiopians and Egyptians have thick lips, broad nose, woolly hair and they are burnt of skin." However, Classical scholar Frank Snowden, Jr. cautions against the reliance on accounts by ancient writers to describe the physical characteristics of other ancient peoples, as they held different connotations from those of modern-day terminology in the West. He also points out that other ancient writers clearly distinguished between Egyptians and Ethiopians.

Keita and Boyce confront this issue in a 1996 article entitled, "The Geographical Origins and Population Relationships of Early Ancient Egyptians". As anthropologists, they point out the danger in relying on ancient interpretation to reveal for us the biological make up of a population. In any case they contend, the relevant data indicates greater similarity between Egyptians and Ethiopians than the former group with the Ancient Greeks.

Ancient Egyptians are often portrayed in modern media as Caucasians. Afrocentrists, in particular, have been critical of this. According to Egyptologists, ancient Egypt was a multicultural society of Middle Eastern, Northeast African, and Saharan influences. Afrocentrists argue that anthropological and archaeological evidence shows that what they term an ''Africoid'' element was evident in ancient Egypt, which they argue was predominant in Abydos in the First dynasty of Egypt.

See also

African-American

African diaspora

African Jews

Afro-Europeans

Afro-Asian

Afro Asians (African Asians)

Afro-Latino

Afro-Trinbagonian

Black British

Black Canadians

Black Hispanic and Latino Americans

Black Indians

Black Jews

Black nationalism

Black Power

Black pride

Black separatism

Black supremacy

Creole peoples

List of topics related to the Black Diaspora

Mulatto

Negritos

Stereotypes of black people

Sub-Saharan Africa

''The Minds of Marginalized Black Men'' (book)

Footnotes

Category:Latin American caste system Category:Race

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